Low Cost Model Railroad
Scenery
Techniques To Save You Money
Making This, Using Nothing but
That – Part 2
Constructing Vegetation - Trees
In nature, vegetation springs up everywhere
seeds can land and find nourishment. Just as with topographical features, fractals play an
important part in vegetation. Consider the photo:
Notice that our two trees are
actually two branches of the same tree. The self-similarity should be
evident. What’s the point? Vegetation created for one scale of railroading is
often useful for another scale and generally won’t seem out of place – within
reason, of course. A 25 foot tall oak tree created for an O-scale layout will
appear to be a 50 foot tall oak tree on an HO layout. Not unreasonable
scaling at all! Now, this type of effect doesn’t carry across ALL vegetation,
but as with the section on topography, being hyper-precise is a waste of time
and tends to suggest that your vegetation is faked – what we would really
like to avoid!
Placement is also somewhat of an issue. Being human, it’s
very hard for us to be completely random. For example, many layouts don’t
look quite “right” even though the vegetation itself is modeled accurately.
What makes the scene feel wrong is a tendency toward repetitive regularity.
Placing trees in rows rather than in clumps and straggles makes them look
like they are planted by humans. Unless this is the effect you are looking
for, you’ll want to look out for this and try to avoid
it!
Which brings us to the subject
of materials, trees in particular. If you carry the fractal nature of, well,
nature, down to the lowest level, you can start to see that a twig is pretty
self-similar to the entire tree. So, if we are going to make realistic trees in our
miniature world, does it not make sense to start with twigs? There are a myriad
suggested ways to create model trees. But if you start with nature’s own model,
your broadleaf tree branches will have a built in authenticity. One issue with
natural materials is that they tend to decompose over time, so you might also want
to consider ease of replacement if your trees start to look a little the worse for
wear. Another option is to model your tree trunks from twisted wire. Much more
permanent, but less accurate on close inspection. However, they can be convincing
from a small distance if you model the trunks and branches from actual twigs. If
you are going to the trouble to twist up some trunks, might as well use a life-like
model!
Real trees don’t last forever. They are
destroyed by pests, lightning, landslides, and developers. For additional realism on your layout,
include some stumps and broken off and dead trees. Slices of twigs and modeling compound can be
used to create realistic stumps and root features.
For twig work, a small hobby saw or X-acto or
utility knife will suffice to make cuts. If you use a saw, the cuts tend to be too regular to
appear natural, so any cuts with a saw that you make should be hidden by other features of the
tree…roots, foliage, etc. The fine teeth of the hobby saw are perfect for scribing lines to
simulate bark as well. The subject of realistic tree construction is the subject of literally
dozens of scenery books and on-line blogs and videos. There are almost as many techniques and
suggestions as there are modelers in the hobby. A google search will provide you with dozens of
ways to experiment when you create your trees.
Along with the cutting tools mentioned above,
vegetation construction will use a liberal application of white glue and other adhesives such as
cyanoacrylate (CA, or super-glue) to construct features and attach them to the
layout.
Making Vegetation - Ground Cover
In most places on the planet where there is
enough rainfall, ground cover vegetation abounds. It should on your layout as well. Good ground
cover starts with good “ground.” There are many places where the ground appears to be completely
flat. This isn’t really true. Even on level ground there are small lumps and depressions unless the
ground has been prepared for some commercial use by grading and leveling. If you have completely
flat spots on your layout, they should be there to represent man-made leveling or the base of water
features. For any other area, use one of the techniques we’ll talk about later to make sure you
have hills and gullies to add visual interest to your scenery. We’ll also mention paints and washes
to get the base color to your liking.
Ground vegetation is all about
plants and bushes. Uncultivated areas with sufficient run-off usually host a variety of weeds,
vines, berry bushes, small trees, and wild flowers in a bewildering array of types. How do we
realistically represent them?
One very popular method is to use
ground foam products of several sizes and colors. Woodland Scenics, and Scenery Express make ground
foam products in sizes and colors that will match any prototypical vegetation that you would care
to model. The ground foam is moderately expensive if you are going to be covering large areas, but
it’s also possible to make your own from foam chair pads and artists acrylic paint. Two methods of
doing this involve either a powered food blender, or a manual meat grinder. The food blender can be
used to both chop and color the foam, the meat grinder method will require a step to color the foam
once it’s finely ground. Don’t take your wife’s good appliances for this method!! Instead, find a
thrift or recycle shop to obtain an inexpensive repurposed unit. When chopping the foam, first cut
it into blocks about an inch on a side. A Google search will net you videos and illustrated
instructions to make your own.
Foam has other uses besides ground
cover. Very finely ground foam can be used to create foliage on your trees as well. Attach the foam
by coating the branches of the trees with white glue and rolling them in a cup full of
foam.
Making Weeds For Model Railroad Scenery
Where there isn’t grass and bare
rock, there are…….WEEDS! Hemp twine is one of the best sources of weeds around, but any fiber
string or small rope will do. Cut 6” lengths of twine and soak them in various shades of green wash
for 15 or 20 minutes, then set aside to dry. Once the dyed twine is dry, cut pieces of appropriate
length with your scissors and separate the individual fibers into a realistic looking patch and
stand upright in a small dot of white glue where you would like to have your weeds. Be liberal,
remember how much work it is to keep them out of your yard and how fast they grow
everywhere!
There are several
scenic elements that are rather hard to model well. Grass happens to be one of
them. Real individual grass blades are impossible to model accurately (they would
be microscopic in scale size), so one of the older techniques is to use a grass mat
made of some grass simulant attached to a cloth or paper backing. Unfortunately,
this technique only works really well with reasonably flat terrain because the mat
tends to wrinkle and bunch...
Whoops….remember
we said earlier that such terrain doesn’t exist naturally? Bet the last mowing of
your yard convinced you that your yard isn’t that flat, either! Something better is
at hand.
The electrostatic grass applicator
is a modern invention that uses the same principle that causes bead board and extruded foam pellets
to stick to everything. The applicator creates a static charge differential between the layout base
and a grass flocking product. Since opposite charges attract, the grass is drawn to the layout from
an applicator held a few inches above. With an adhesive surface, the grass product stands up
straight, aligned with the electrostatic field and then is held in place when the adhesive cures.
The flocking simulates individual grass blades and can be applied on any terrain for a realistic
grassy surface. Selecting the right length grass fibers allows the surface to resemble manicured or
overgrown surfaces. The applicators start at about $40 US, and if you are planning lots of open
grassy areas are a good way to go. Grass products are available from several suppliers such as
GrassTech USA, Woodland Scenics, and Noch, and comes in a variety of colors to simulate all
seasons. The cost for the grass is about $15 US for a 32 oz. container.
Making Model Railroad Rocks, Boulders and Rock
Faces
We haven’t been discussing scenery
application in any particular order, but once you get the foam base of your layout in place and
manicured to your liking, you’ll probably want to add some rock features. Large extruded foam areas
are easy to make, but you will also probably want to add some really dramatic relief effects to
your terrain cuts, bridge approaches and tunnel entrances. The easiest way to do this is with
rubber molds and plaster.
Again, Woodland Scenics and
Scenery Express make rubber rock molds for plaster casting, however it’s also possible to create
your own molds with an array of rocks from your garden or other area, some latex rubber product and
some medical gauze pads. Liquid latex is available from Woodland Scenics and can also be found in
your craft store.
There are lots of plaster products
available that will do the trick. Casting plaster or Plaster of Paris can be purchased at an art
supply store, but you can also use just about any plaster you can find at a home improvement store
as well. Most of the difference is in the time it takes to set up to a solid, so if you aren’t in a
particular hurry, cheap plaster will do the trick. If you don’t want to wander the Home Depot
aisles, you can also buy a product called HydroCal from Woodland Scenics. HydroCal is a lightweight
plaster made especially for creating scenery features.
Mix the plaster in a discarded
plastic mixing bowl that has some flexibility. This will allow you to flex the bowl
and remove the remains left in it to harden at the end of a casting session. Rather
than cleaning out the bowl when you are finished, saving the remains and breaking
them down into smaller pieces with strokes from a hammer will give you scale sized
pieces for rock and boulder falls and talus areas.
When the rock molds have
hardened, attaching them to your terrain to create faces is easy with joint
compound or a product from Amaco (American Art Clay Company) called Sculptamold.
Sculptamold is a wonderful tool when making rock faces and walls. Mix it with water
according to the directions and use it to fill in joints between castings or by
itself when you want to create a small outcropping.
When dry, it looks like distressed
rock and will take paints and washes easily. It’s available at hobby and art
stores and on-line through Amazon.com and other online model train
stores.
When plaster sets, an exothermic
(heat producing) reaction takes place. This isn’t normally a problem when working with molds and
small projects, but you should know that there is a fair amount of heat generated by large
quantities of plaster. Working in small batches is best from that aspect as well as the ability to
finish your project section before your mix completely hardens.
Constructing Large Terrain on a Model Railroad
Layout
Creating layout bases of any size
from extruded foam is certainly practical from a project standpoint. However, if you need a lot of
terrain for a large layout, foam might not be the most cost effective solution. You might also want
to try another, older, technique with newspapers, cardboard strips, wire mesh and plaster cloth or
plaster soaked paper towels. This technique is called hard shell modeling. Large areas can be
created quickly by wadding up newspapers for hills and valleys and then holding them in place with
masking tape. Similarly, cardboard strips can be used to form a more rigid frame over the
newspaper.
For the ultimate in strength, a
wooden frame with stapled wire mesh can be created for a very large area. In all of these cases the
covering is either commercial
plaster soaked gauze cloth or creating your own with gauze or paper towels soaked in plaster or
HydroCal that you mix yourself. Depending on the technique you choose, you’ll need a decent pair of
scissors, a staple gun, and a saw to cut the wood framing material, shears to cut the wire mesh and
your bowls and stirring tools to mix plaster. Apply the plaster with a wide bladed putty knife and
work in manageable sections to avoid having your plaster set in the bowl before you get a chance to
use it.